Report: No deal yet for The Beatles music on Apple’s iTunes Store

“There is no deal for the music of the Beatles to go to iTunes or be sold anywhere on the Internet for downloading,” Roger Friedman reports for FOXNews.com.

“I hate to burst everyone’s bubbles, but the story that this would happen sprang like most inaccurate muck from a British tabloid over the weekend. It began with some notion that Paul McCartney on his own could make such a deal. And then, the reasoning was that McCartney did it ‘because he needs the money for his divorce’ from the foul and avaricious Heather Mills,” Friedman reports.

“Really: Why would a man in the middle of settling a divorce suddenly make a deal that could net him millions? Does that make any sense? Of course not,” Friedmanwrites.

“So here’s the situation: EMI Music owns the Beatles recordings, not McCartney. It’s EMI’s deal to make with iTunes or Amazon or anyone. McCartney can suggest a deal or be enthusiastic, but he has no standing otherwise. EMI does have to comply with certain permissions from the Beatles, or Apple Records, aka McCartney, Ringo Starr, Olivia Harrison and Yoko Ono jointly,” Friedman reports.

“My sources inside the camp say there have been negotiations with Apple but nothing has come of it. There is no deal, and no deal is on the horizon,” Friedman reports. “If a deal happened, it would be announced by EMI. And the Apple four would have to approve it. Also, a deal with Apple would involve lots of merchandising extras, like a special Beatles iPod, or four.”

Full article here.

[Thanks to MacDailyNews Reader “DV” for the heads up.]

25 Comments

  1. zzzz

    the beatles are probably the most overrated band of all time

    ok , john lennon WAS a genius , he stood head and shoulders above the rest of the band – without him they’d be nothing , but paul mc cartney makes me want to vomit with his whiny voice and his crappy songs – the frog song ? eeurgh

    ringo was a useless drummer and harrison was a mediocre guitarist at best – live they sucked and all their best stuff was due to george martin’s genius at post production

    i’m more interested in movie rentals and tv programmes on appletv than some clapped out pop group that is only here to pay paul’s divorce off

  2. Wow, a rousing round of indifference so far. I think that may be underestimating the appeal that still exists for The Beatles across all demographic groups. When the group’s recordings were released on CD in 1987, they shot to the top of the charts. While the Beatles Anthology documentary flopped on ABC, the Anthology discs all hit #1. The “1” CD was a huge #1 a few years ago, and 2006’s remix “Love” was an international #1 as well. While they were only average as musicians and singers, their songwriting put them on a different level. The person who said it was all George Martin in post-production is being very disingenuous…Martin was very important to their success, but it’s ridiculous to assume he could have turned mediocre music into classics.

    A Beatles iTune release would be big, real big…and, with the right combo of extras, would drive new users towards the iPod (if Apple can pull off an exclusive).

  3. Yawn.

    The issue is not about the importance or current relevance of the Beatles. The issue is that digital distribution significantly diminishes the importance of a single act on the overall business. Unlike the record/CD business of old, profit in online digital distribution is less driven by major acts being the sole profit provider.

    It will be great for Beatles fans, but the overall effect on iTunes sales will not be very noticeable. Could it be an event that legitimizes online digital distribution to the 45+ demographic? Could be.

  4. If EMI had complete power to release these tracks they would have done so long ago. Its the Beatles that are holding them back for whatever reason. Perhaps they are trying to milk CD sales for as long as they can

  5. I thought it was a little odd when the previous story said that McCartney was making the deal, as if he could do so all by himself, or as if he was the only one holding such a deal up. My understanding is that the most recalcitrant one was Yoko Ono.

    ——RM

  6. Folks, this jerk just pulled this story from his butt. The “story” above contradicts quotes from Sir Paul himself about this. Increasingly, journalists are becoming paid mouthpieces of PR firms and the corporate giants behind them, and have prostituted their former journalistic integrity (if they ever had it to begin with) to have a night with some high priced hooker paid for by a large nameless corporation.

    Stop and think: why would this dork spew a story like this? Well for one, Microsoft is probably going to have to get in line behind Apple, and Mr. Ballmer’s not to pleased about losing a huge deal like this. So what does monkeyboy do? Spew FUD, of course, which is what Microsoft’s PR minions do better than anyone else short of the Clintons. (Just ask Vice President Obama…)

    What you are seeing is a PR war. And we’re the innocent bystanders. Somebody has an axe to grind with Apple, and it’s being played out in the press. Do you want to know why Apple stock has dropped so in the past several months? It ain’t poor earnings, kiddies. Instead, it’s a concentrated effort by some very powerful forces to beat down the company, short its stock, and spew negative stories wherever possible. If you don’t think that PR is behind much of what you read, hear and see, think again. Where do you think most news stories come from? Typically, it starts with a press release, or a well-rehearsed pitch from a PR firm to an editor.

    Think of this: in the past few days following the release of the iPhone SDK, all of a sudden, a bunch of two-bit analysts, pundits and “industry experts” have crawled out of the woodwork to throw water on Apple’s enterprise plans for the iPhone. Do you honestly think that was spontaneous? Get real. And to read that RIM “had no comment” in an article, but an obviously pro-RIM analyst was predicting doom and gloom for Apple gets trotted out and quoted extensively in the story, my BS meter went off the charts. This ain’t news, folks. It’s a PR war.

    Why do I know? Because I’m a PR flack myself. So shoot me. Please.

  7. Uh, not quite, dude. Michael Jackson owns only PART of the Beatles’ catalog, mostly early songs. The other parts are owned by Sony/EMI, and the surviving Beatles and members’ estates.

    As for the bull that the Beatles don’t want to release their albums, that’s crap. Given the growing digital sales and declining physical media sales, there is every incentive to market their music this way. The story above is total garbage.

    And to those of you who think the Beatles don’ matter, you are SO wrong. Everything you hold dear in terms of contemporary music has been influenced by them. And once their music does come out on iTunes, their albums and songs will dominate the sales of the iTunes Store for quite some time.

  8. @@rdbvideo

    Michael Jackson owns half of almost every major Beatles’ songs (251 exactly); only mere few do not belong to his co-owned with Sony company called Sony/ATV Music Publishing.

    Contrary to what author of the article wrote, EMI owns only copyrights on the songs, but not publishing rights. Back in 1993 Michael Jackson signed contract that allows EMI to manufacture and distribute all kind of copies of those songs on albums and radios. EMI gets small manufacturers/distributor’s fees as exclusive copyright holder for those songs. Then Jackson got $70 million of two years advance fees for his ATV Music Publishing company.

    Since Jackson sold copyrights to EMI, it is usually considered that exactly this company should handle negotiations with Apple (computer company). However, since iTunes is new media, there is possibility that such case is not covered completely by contract between Sony-Jackson’s Sony ATV Music Publishing and EMI.

    Thus negotiations can be more complex. Michael Jackson and Sony should probably vote “yes” to allow that contract with Apple to happen. They are going to be biggest beneficiary, not the likes of MacCartney, who only get smaller performer and author fees.

  9. Addition:

    Back in 1995, Jackson agreed to merge his ATV Music Publishing company with Sony Music Publishing to form Sony-ATV Music Publishing. Since Michael Jackson’s asset was more profitable at that time he got $110 million for agreeing 50-50 ownership of the united company.

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